Oscars Predictions: Best Visual Effects – ‘The Creator,’ ‘Blue Beetle’ and ‘Across the Spider-Verse’ Among Worthy Films for Consideration
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
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2024 Oscars Predictions:
Best Achievement in Visual Effects
Weekly Commentary (Updated Nov. 16, 2023): With “Dune Part Two” moving out of the year, the race has considerably opened up for a few movies to break through the field.
Tepid box offices don’t scare branch members away like others; they aim to reward impressive technical achievements. Warner Bros.’ “Blue Beetle” boasts gorgeous action sequences, dazzling superhero effects, and battles. Ángel Manuel Soto’s DC Studios project received solid reviews and is worthy of recognition.
The “Dune” sequel shift could also benefit 20th Century Studios’ sci-fi epic “The Creator” by Gareth Edwards. The helmer of “Rogue One: A Star Wars Story” and “Godzilla” constructs a world that will appeal to voters with its space elements and robot designs.
A movie like Universal Pictures’ “Oppenheimer” by Christopher Nolan utilizes practical effects, but that didn’t stop the Academy from awarding Damien Chazelle’s moon landing biopic “First Man.”
We are also past due on animated features making a run in this category. Sony Pictures’ “Spider-Man: Across the Spider-Verse” is more than worthy of consideration, given its vibrant set pieces and action beats. Only two animated flicks have been nominated in this race previously — “The Nightmare Before Christmas” (1993) and “Kubo and the Two Strings” (2016).
Even though James Mangold’s “Indiana Jones and the Dial of Destiny” received an apathetic critical response and box office, the de-aging effects of its star, Harrison Ford, could be appetizing for the branch to embrace.
The Visual Effects Branch has always been friendly to blockbusters and consumer-facing franchises shown with past winners such as “Avatar: The Way of Water” (2022), “Dune” (2021), “Tenet” (2020), “Blade Runner 2049” (2017) and “The Jungle Book” (2016).
Read: Variety’s Awards Circuit for the latest Oscars predictions in all categories.
The submission deadline for general categories is Nov. 15, 2023. The preliminary shortlist for eight categories is from Dec. 14-18, with the results announcement dropping on Dec. 21. The Oscar nomination period will run from Jan. 11-16, 2024, with the official nominees named on Jan. 23.
The 96th Oscars will be held on Sunday, March 10.
***The list below is not final and will be updated throughout the awards season.
And the Predicted Nominees Are:
“Oppenheimer” (Universal Pictures) — Andrew Jackson (production visual effects supervisor), Giacomo Mineo (visual effects supervisor), Scott Fisher (special effects supervisor), Dave Drzewiecki (visual effects director of photography)
“The Creator” (20th Century Studios) — Jay Cooper, Ian Comley (visual effects supervisors), Andrew Roberts (on set visual effects supervisor), Neil Corbould (supervising special effects supervisor)
“Guardians of the Galaxy Vol. 3” (Marvel Studios) — Stephane Ceretti, Alexis Wajsbrot, Guy Williams (visual effects supervisor), Dan Sudick (special effects supervisor)
“Transformers: Rise of the Beasts” (Paramount Pictures) — Gary Brozenich, Richard Little, Matt Aitken (visual effects supervisors), J.D. Schwalm (special effects supervisor)
“Spider-Man: Across the Spider-Verse” (Sony Pictures) — Michael Lasker, Alan Hawkins, Bret St. Clair, Pav Grochola
Next in Line
“The Little Mermaid” (Walt Disney Pictures) — Tim Burke, Andy Kind, Patrick Ledda (visual effects supervisor), Steve Warner (special effects supervisor)
“Blue Beetle” (Warner Bros.) — To be added
“Napoleon” (Apple Original Films/Sony Pictures)
“Indiana Jones and the Dial of Destiny” (Walt Disney Pictures) — Andrew Whitehurst (visual effects supervisor), Kathy Siegel (visual effects supervisor), Robert Weaver (ILM visual effects supervisor), Alistair Williams (special effects supervisor)
“The Marvels” (Marvel Studios) — To be added
Other Top-Tier Possibilities
“Poor Things” (Searchlight Pictures) — Simon Hughes (creative director)
“Rebel Moon” (Netflix) — To be added
“Killers of the Flower Moon” (Apple Original Films/Paramount Pictures)
“Cocaine Bear” (Universal Pictures) — To be added
“Barbie” (Warner Bros.) — Glen Pratt, Francois Dumoulin, Viktor Muller, Mark Holt
“The Color Purple” (Warner Bros.) — Ariel Velasco Shaw, Julian Lojek, Tom Mahoney, Charles Cooley
“Dungeons & Dragons” (Paramount Pictures) — Ben Snow, Scott Benza, Khalid Almeerani, Sam Conway
“Wonka” (Warner Bros.) — Graham Page, Robert Allman, Dale Newton, Hayley Williams
“Mission: Impossible – Dead Reckoning Part One” (Paramount Pictures) — Alex Wuttke, Simone Coco, Jeff Sutherland, Neil Corbould
“Ferrari” (Neon) — To be added
Also In Contention
“John Wick Chapter 4” (Lionsgate) — To be added
“Ant-Man and the Wasp: Quanumania” (Marvel Studios) — To be added
“M3gan” (Universal Pictures) — To be added
“Dream Scenario” (A24) — To be added
“The Flash” (Warner Bros.) — To be added
“Elemental” (Pixar) — Sanjay Bakshi (visual effects supervisor), Stephen Marshall, Jon Reisch (effects supervisors), Junyi Ling (character supervisor)
“Gran Turismo” (Sony Pictures) — To be added
“The Super Mario Bros. Movie” (Illumination) — To be added
“The Hunger Games: The Ballad of Songbirds and Snakes” (Lionsgate) — To be added
“Nyad” (Netflix) — Jake Braver, R. Christopher White, Mohsen Mousavi, Dann Tarmy
All Eligible Titles (Alphabetized by Studio)**
“Beau is Afraid” (A24)
“Dream Scenario” (A24)
“The Iron Claw” (A24)
“Past Lives” (A24)
“Priscilla” (A24)
“Showing Up” (A24)
“When You Finish Saving the World” (A24)
“You Hurt My Feelings” (A24)
“The Zone of Interest” (A24)
“Air” (Amazon MGM Studios)
“The Burial” (Amazon MGM Studios)
“Cassandro” (Amazon MGM Studios)
“Foe” (Amazon MGM Studios) — Jason Hawkins (VFX supervisor), Matthew Chance (head of 2D), Jordan McInnes (CG supervisor and rigging TD), Chris Gardner (FX TD)
“Saltburn” (Amazon MGM Studios)
“Fingernails” (Apple Original Films)
“Flora and Son” (Apple Original Films)
“Killers of the Flower Moon” (Apple Original Films/Paramount Pictures)
“Napoleon” (Apple Original Films/Sony Pictures)
“Across the River and Into the Trees” (Bleecker Street)
“Golda” (Bleecker Street)
“The Origin” (Bleecker Street)
“Ruby Gillman, Teenage Kraken” (DreamWorks Animation)
“Trolls Band Together” (DreamWorks Animation)
“Asteroid City” (Focus Features)
“Every Body” (Focus Features)
“The Holdovers” (Focus Features)
“A Thousand and One” (Focus Features)
“The Boy and the Heron” (GKids)
“BlackBerry” (IFC Films)
“Monica” (IFC Films)
“R.M.N.” (IFC Films)
“The Taste of Things” (IFC Films/Sapan Studio)
“Migration” (Illumination)
“Flamin’ Hot” (Hulu/Searchlight Pictures)
“The Super Mario Bros. Movie” (Illumination)
“Are You There God? It’s Me, Margaret” (Lionsgate)
“The Hunger Games: The Ballad of Songbirds and Snakes” (Lionsgate)
“John Wick Chapter 4” (Lionsgate)
“Joy Ride” (Lionsgate)
“Baby Ruby” (Magnet Releasing)
“Little Richard: I Am Everything” (Magnolia Pictures)
“Master Gardener” (Magnolia Pictures)
“The Stones and Brian Jones” (Magnolia Pictures)
“Ant-Man and the Wasp: Quanumania” (Marvel Studios)
“Guardians of the Galaxy Vol. 3” (Marvel Studios) — Stephane Ceretti, Alexis Wajsbrot, Guy Williams (visual effects supervisor), Dan Sudick (special effects supervisor)
“The Marvels” (Marvel Studios)
“Bottoms” (MGM/Orion) — Doug Stewart (visual effects supervisor)
“The Boys in the Boat” (MGM) — Matt Kasmir (VFX supervisor)
“Creed III” (MGM)
“Landscape with Invisible Hand” (MGM)
“American Fiction” (MGM)
“The Eternal Memory” (MTV Documentary Films)
“The Delinquents” (Mubi)
“Fallen Leaves” (Mubi)
“The Settlers” (Mubi)
“Unclenching the Fists” (Mubi)
“Anatomy of a Fall” (Neon)
“Eileen” (Neon)
“Ferrari” (Neon)
“How to Blow Up a Pipeline” (Neon)
“La Chimera” (Neon)
“Longlegs” (Neon)
“Mothers’ Instinct” (Neon)
“Origin” (Neon)
“Perfect Days” (Neon)
“Robot Dreams” (Neon)
“The Royal Hotel” (Neon)
“American Symphony” (Netflix)
“Chicken Run: Dawn of the Nugget” (Netflix)
“The Deepest Breath” (Netflix)
“El Conde” (Netflix)
“Fair Play” (Netflix)
“The Killer” (Netflix)
“Leave the World Behind” (Netflix)
“Leo” (Netflix)
“May December” (Netflix)
“Maestro” (Netflix)
“The Magician’s Elephant” (Netflix)
“Miraculous: Ladybug & Cat Noir: The Movie” (Netflix)
“The Monkey King” (Netflix)
“Nimona” (Netflix)
“Nyad” (Netflix)
“Pain Hustlers” (Netflix)
“Rebel Moon” (Netflix)
“Reptile” (Netflix)
“Rustin” (Netflix)
“Society of the Snow” (Netflix)
“Stamped from the Beginning” (Netflix)
“Dungeons & Dragons” (Paramount Pictures) — Ben Snow, Scott Benza, Khalid Almeerani, Sam Conway
“Mission: Impossible – Dead Reckoning Part One” (Paramount Pictures) — Alex Wuttke, Simone Coco, Jeff Sutherland (visual effects supervisors), Neil Corbould (special effects supervisor)
“Teenage Mutant Ninja Turtles: Mutant Mayhem” (Paramount Pictures) — Matthieu Rouxel (visual effects supervisor), Paul-Etienne Bourde (visual effects department supervisor), Giai Wong (visual effects department lead)
“Transformers: Rise of the Beasts” (Paramount Pictures) — Gary Brozenich, Richard Little, Matt Aitken (visual effects supervisors), J.D. Schwalm (special effects supervisor)
“Elemental” (Pixar) — Sanjay Bakshi (visual effects supervisor), Stephen Marshall, Jon Reisch (effects supervisors), Junyi Ling (character supervisor)
“Black Ice” (Roadside Attractions)
“Camp Hideout” (Roadside Attractions)
“Dreamin’ Wild” (Roadside Attractions)
“The Last Rider” (Roadside Attractions)
“Moving On” (Roadside Attractions)
“The Pod Generation” (Roadside Attractions/Vertical Entertainment)
“Somewhere in Queens” (Roadside Attractions)
“All of Us Strangers” (Searchlight Pictures)
“Chevalier” (Searchlight Pictures)
“Magazine Dreams” (Searchlight Pictures) **
“Next Goal Wins” (Searchlight Pictures)
“Poor Things” (Searchlight Pictures) — Simon Hughes (creative director)
“Theater Camp” (Searchlight Pictures)
“Dumb Money” (Sony Pictures)
“The Equalizer 3” (Sony Pictures)
“Gran Turismo” (Sony Pictures) — To be added
“Spider-Man: Across the Spider-Verse” (Sony Pictures)
“Freud’s Last Session” (Sony Pictures Classics)
“A Little Prayer” (Sony Pictures Classics)
“The Miracle Club” (Sony Pictures Classics)
“Persian Version” (Sony Pictures Classics)
“Shadya” (Sony Pictures Classics)
“Shortcomings” (Sony Pictures Classics)
“The Teachers’ Lounge” (Sony Pictures Classics)
“They Shot the Piano Player” (Sony Pictures Classics)
“Cocaine Bear” (Universal Pictures)
“The Exorcist: Believer” (Universal Pictures)
“Fast X” (Universal Pictures)
“M3gan” (Universal Pictures)
“Oppenheimer” (Universal Pictures)
“She Came to Me” (Vertical Entertainment)
“Aquaman and the Lost Kingdom” (Warner Bros.)
“Barbie” (Warner Bros.)
“Blue Beetle” (Warner Bros.)
“The Color Purple” (Warner Bros.)
“The Flash” (Warner Bros.)
“Wonka” (Warner Bros.)
“Indiana Jones and the Dial of Destiny” (Walt Disney Pictures)
“The Little Mermaid” (Walt Disney Pictures)
“Wish” (Walt Disney Pictures)
2022 category winner: “Avatar: The Way of Water” (20th Century Studios) — Joe Letteri, Richard Baneham, Eric Saindon, and Daniel Barrett
** indicates an unconfirmed release date in 2023 or could campaign in the lead or supporting categories. All release dates are subject to change.
Oscars Predictions Categories
BEST PICTURE | DIRECTOR | BEST ACTOR | BEST ACTRESS | SUPPORTING ACTOR | SUPPORTING ACTRESS | ORIGINAL SCREENPLAY | ADAPTED SCREENPLAY | ANIMATED FEATURE | PRODUCTION DESIGN | CINEMATOGRAPHY | COSTUME DESIGN | FILM EDITING | MAKEUP & HAIRSTYLING | SOUND | VISUAL EFFECTS | ORIGINAL SCORE | ORIGINAL SONG | DOCUMENTARY FEATURE | INTERNATIONAL FEATURE | ANIMATED SHORT | DOCUMENTARY SHORT | LIVE ACTION SHORT
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The Academy Awards, better known as the Oscars, is Hollywood’s most prestigious artistic award in the film industry. Since 1927, nominees and winners have been selected by members of the Academy of Motion Picture Arts and Sciences (AMPAS). Seventeen branches are represented within the nearly 10,000-person membership. The branches are actors, associates, casting directors, cinematographers, costume designers, directors, documentary, executives, film editors, makeup and hairstylists, marketing and public relations, members-at-large, members-at-large (artists’ representatives), music, producers, production design, short films and feature animation, sound, visual effects and writers.
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