Terms such as the n-word, which featured in his writing from the 1950s and 1960s, have been edited out of new editions of the 007 books set for reissue in April.
Some depictions of Black people have also been reworked or removed, but references to other ethnicities, such as a term for east Asian people and Bond’s mocking views of Oddjob, Goldfinger’s Korean henchman remain, The Telegraph reports.
Other lines that have been kept include the “sweet tang of rape” and “blithering women” to failing to do a “man’s work” and references to homosexuality being a “stubborn disability”.
A disclaimer accompanying the new editions is expected to read: “This book was written at a time when terms and attitudes which might be considered offensive by modern readers were commonplace.
“A number of updates have been made in this edition, while keeping as close as possible to the original text and the period in which it is set.”
It comes after Ian Fleming Publications Ltd, which owns the rights to his work, commissioned a review by sensitivity readers of the James Bond series. The Independent has contacted Ian Fleming Publications Ltd for comment.
The new issues are set to mark 70 years since the publication of Mr Fleming’s first novel Casino Royale.
It comes a week after it emerged that Roald Dahl’s books were being rewritten to remove language considered offensive.
The word “fat”, for example, had been cut from every book. Augustus Gloop in Charlie and the Chocolate Factory is instead described as “enormous”.
On Friday, the Queen Consort forced publisher Puffin UK to back down on its censorship of the author’s work after she intervened in the row over the decision to edit his words.
In a speech to mark the second anniversary of her literary initiative Reading Room at Clarence House, Camilla urged writers “to remain true to your calling, unimpeded by those who may wish to curb the freedom of your expression or your imagination”.
In what was interpreted as her disapproval of the changes made to the text of Dahl’s classic books, the Queen Consort said: “Let there be no squeaking like mice but only roaring like a pride of lions!”
The decision to edit Dahl’s words also attracted criticism from a number of leading literary figures, including Salman Rushdie, who called the edits “absurd”.